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"Tell the chef, the beer is on me."
ZUGZWANG ZEITUNG - DIE ROTE AUSGABE
Video Bonus aus dem Magazin – Zwischen Sterni und Schulle
Dieses Video ist Bonusmaterial aus dem Magazin mit Fotos aus Athen, Belgrad, Berlin, Bremen, Frankfurt, Hamburg, Hannover, Köln, Kopenhagen, München, Münster, Neapel, New York, Nürnberg, Osnabrück, Stuttgart und Wien.
Desweiteren gibt es Bilder Australien, Holland, Italien, Neuseeland, Portugal, Spanien. Zudem liegt der Fokus noch bei Freunden wie Clik, der Eqt Crew, Fawts, Kid Rue, Radicals und Slam.
Insgesamt sind 250 Fotos auf 72 Seiten zu sehen, die mit 30 min Videomaterial unterstüzt werden. Das Magazin findest du in deinem gut sortierten Shop oder auf Stylefile.de
Die Preview dazu gibt es hier: issuu.com/zugwang/docs/rot_preview_01
The "Water Light Graffiti" is a surface made of thousands of LED illuminated by the contact of water. You can use a paintbrush, a water atomizer, your fingers or anything damp to sketch a brightness message or just to draw. Water Light Graffiti is a wall for ephemeral messages in the urban space without deterioration. A wall to communicate and share magically in the city.
More pictures and details on Digitalarti : digitalarti.com/wlg
Water Light Graffiti is a project of Antonin Fourneau (atocorp.free.fr/)
Engineer : Jordan McRae
Design Structure : Guillaume Stagnaro
Graffiti performance : Collectif Painthouse
Assistant team: Clement Ducerf and all the Artlab volunteers
Artlab Manager: Jason Cook
Filming: Sarah Taurinya & Quentin Chevrier
Photographs: Quentin Chevrier
Music: Jankenpopp (soundcloud.com/jankenpopp)
Editing and titles: Formidable Studio and Maïa Boumpoutou
Support : Ville de Poitiers, Centre Culturel Saint Exupéry, Mairie de Paris (10th district)
Contact, exhibitions and artwork rental : services@digitalarti.com
More creations from the Artlab : digitalarti.com/artlab
[via AEC Blog]
An orchestra one can walk through:
Tangible Orchestra is an interactive installation that brings electronic dance music combined with classic instruments to life in a three-dimensional environment. Individual tracks are placed into independent, interactive cylinders that are scattered across the project space. These cylinders have a sensory system that notices people in proximity and play for as long someone is nearby.
The cylinders create an individual listening experience – depending on the number of attending people and their position within the project, different instruments are activated and join the musical piece. Walking through the installation not only means to activate instruments that contribute to the whole piece, but to dub the piece with every step: Depending on the listener’s position and the distance to the speakers that rest within the cylinders, the relative strength of all instruments shifts.
Picaroon 2014
More info: picaroon.eu/tangible_orchestra.html
[via Das Filter]
RECIPIENT OF A NATAS HEARTLAND EMMY AWARD FOR BEST SHORT FORMAT PROGRAM (JULY 2014)
Hollywood is forcing theaters to either go digital or go dark. Studios have decided they will no longer send out film prints of new releases after 2014, eliminating the need for a 35mm film projectionist in most theaters. Going Dark profiles two projectionists during their last days on the job.
DIRECTORS: Jason Gwynn & Jay Sheldon
PRODUCER: Jason Gwynn [vimeo.com/jasongwynn]
EDITOR: Jay Sheldon [vimeo.com/jaysheldon]
SHOT BY: Jay Sheldon & Jason Gwynn
ORIGINAL SCORE: Jonathan Paulsen
Like Us:
[FACEBOOK.COM/GOINGDARKDOCUMENTARY]
Rate Us:
[imdb.com/title/tt2939296/?ref_=nm_ov_bio_lk3]
Going Dark was shot in Oklahoma City, OK at the Penn Square Mall over the course of one month in Oct. 2012 by a crew of two on a micro budget.
[via Das Filter]
Written & Directed by: Stephan Zlotescu
Director of Photography: H1
Original Music: J-Punch - itunes.apple.com/us/album/true-skin-soundtrack-ep/id591191251
Producer: Christopher Sewall
Manager: Scott Glassgold / IAM Entertainment
An N1ON Production
N1ON.COM
News and updates @ facebook.com/N1ONFILMS
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